Since 2017, the International piano competition of Orléans has been selecting a list of recent piano works for the finals of the Ferruccio Busoni International Piano Competition.
The International piano competition of Orléans (France) selects a list of recent piano works for the semifinals of the 64rd Ferruccio Busoni International Piano Competition.
Orléans Concours International, a French institution founded by pianist Françoise Thinat and focusing on XXth and XXIst centuries works, has been selecting young talents accomplished in contemporary piano repertoire since 1994. Excellence and innovation are the values that have always guided OCI’s artistic activities, which include the Concours international de piano d’Orléans, the ‘Brin d’herbe’ international junior piano Competition, the recording of numerous albums and the commissioning of new works by internationally renowned composers while simultaneously championing the works of emerging young composers. Likewise, OCI guides and supports its laureates as their careers evolve through concerts, master classes, exhibitions, conferences and events, all the while focusing on the piano repertoire from 1900 up the present day. Beginning with the very first Concours international de piano d’Orléans in 1994, works by Xenakis, Ligeti and Messiaen have been performed side by side with those of Debussy, Casella and Fauré. The biennial competition is devoted wholly to the repertoire from 1900 to the present, with no aesthetic censorship whatsoever and with artistic quality as its sole aim. From its third occurrence forward, the competition has had the privilege of awarding a composition prize: the Prix André Chevillion–Yvonne Bonnaud. This prize, granted under the aegis of the Fondation de France, is awarded to a work by a candidate pianist who is also a composer or to an unpublished piece that has never been performed in public and was commissioned by the candidate to a pianist composer. The award was introduced in order to encourage artistic encounters and research within contemporary music, and to push our candidates to engage with the composers of today. The award immediately achieved distinction for its excellence, as evidenced by the first-year recipient: Unsuk Chin, a Korean composer of great reputation, whose studies now form an integral part of the repertoire for any pianist who addresses today’s music.
Due to its specificity in regards to contemporary repertoire, the Ferruccio Busoni International Piano Competition has asked the International piano competition of Orléans to create a selection of a short piano pieces, written between 2000 and 2022, to be integrated into its 64rd competition program. This collaboration came about in 2017 thanks to the World Federation of International Music Competitions, an institution that brings the world’s most prestigious competitions together and thus makes these exchanges possible. For logistical reasons, the list comprises works for acoustic, unprepared piano, without the aid of electronics; the works were selected from amongst those submitted to the competition in past years, those recorded and subsequently performed at concerts given by our laureates and those nominated for our Chevillion–Bonnaud composition prize. We also selected the commissions that the International piano competition of Orléans and the Ferruccio Busoni International Piano Competition did the last years. In our selection, we tried to provide a tableau as international and diverse as possible, which reflects today’s piano scene.
To all of the pianists who take on the challenge of this musical adventure in discovery of sound: Good luck! And to the Busoni Competition: We hope that the 64rd competition will be as memorable as always. The 16th Concours international de piano d’Orléans will take place in 2024, it will be our 30th anniversary edition; the rules and regulations will be posted on our website by March 2023.
Isabella Vasilotta
Concours international de piano d’Orléans – France
Artistic Director
Throughout his lifetime, Ferruccio Busoni was a trailblazer – a pioneer in search of the new and the unexplored. In this sense he never viewed piano activity as an end in itself, but rather as a tool that furthers experimentation. The Ferruccio Busoni International Piano Competition not only affords contemporary music its due regard, but also selects its repertoire in keeping with Busoni’s penchant. Thanks to a fruitful collaboration with the International piano competition of Orléans (France), which dedicates itself with the utmost professionalism to contemporary piano music of the twentieth and twenty-first centuries, the 33 finalists of the 63rd Ferruccio Busoni International Piano Competition will be able to choose from 11 new works for solo piano that offer a wide aesthetic variety and an array of technical challenges. Handling repertoire that embraces the many facets of that which is contemporary is a fundamental trait for any performer at the apex of his or her day. This collaboration with the Competition of Orléans is an important first step towards this way.
Peter Paul Kainrath
Concorso Pianistico Internazionale Ferruccio Busoni
Artistic Director
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Éric Tanguy, Passacaille – FR / 1999
About 7 minutes – Editions Durand-Salabert-Eschig / Universal Music Publishing Classical
Mandatory piece of the 4th International piano competition of Orléans – 2000
Patrick Burgan, Intervalles (Comptine, Coccinelles, Carillon) – FR / 2001
About 13 minutes – Editions Jobert
Mandatory piece of the 5th International piano competition of Orléans – 2002
Jacques Lenot, Dramatis Personae – FR / 2007
About 7 minutes – Editions L’Oiseau Prophète
Philippe Hersant, Le Carillon d’Orléans – FR / 2016
About 14 minutes – Editions Durand-Salabert-Eschig / Universal Music Publishing Classical
Mandatory piece of the 12th International piano competition of Orléans – 2016
Pascal Dusapin, Black Letters – FR / 2019
About 10 minutes – Editions Durand-Salabert-Eschig / Universal Music Publishing Classical
Mandatory piece of the 14th International piano competition of Orléans – 2020
Philippe Manoury, Réseaux & Dérèglements – FR / 2021
About 12 minutes – Editions Durand-Salabert-Eschig / Universal Music Publishing Classical
Mandatory piece of the 15th International piano competition of Orléans – 2022
Beat Furrer, Studie für Klavier – CH / 2011
About 7 minutes – Editions Bärenreiter Verlag
Commission by Busoni Competition 2011: Audio file*
Toshio Hosokawa, Etude 1 – 2 Lines for piano – JP / 2011
About 4 minutes – Editions Schott Music
Commission by Busoni Competition 2011: Audio file*
Charles Wuorinen, Etude for Chords and Dynamic balance – US / 2011
About 4 minutes 30 – Editions Peters
Commission by Busoni Competition 2011: Audio file*
Hector Parra i Esteve, Cell (Arch for Hystérie) – ES / 2016
About 9 minutes – Editions Durand-Salabert-Eschig / Universal Music Publishing Classical
Recording: José Menor – available on Soundcloud: http://bit.ly/2bQEp9e
Commission by Orléans Competition 2018 : Au cœur de l’oblique – for piano solo
Mark André, iv 11 pour piano solo – FR / 2011
About 4 minutes – Editions Peters
Commission by Busoni Competition 2011: Audio file*
Rebecca Saunders, Shadow study for solo piano – UK / 2012
About 9 minutes – Editions Peters
Commission by Busoni Competition 2012
Thomas Adès, Mazurkas for piano Op.27 – UK / 2009
About 8 minutes – Editions Faber Music UK
Régis Campo, Hommage à Georges Cziffra – FR / 2009
About 8 minutes – Editions Lemoine
Philippe Schoeller, Prélude 1 – Omaggio a Cy Twombly & Prélude 3 – Ritualis Vincent van Gogh – FR / 2008
About 8 minutes – Editions Artchipel
Mikel Urquiza, Contrapluma – ES / 2016
About 6 minutes – Editions Suvini Zerboni
Lorenzo Pagliei, Uno : Courbes – IT / 2005-6
About 6 minutes – Editions Suvini Zerboni
Deqing Wen, Love Song and River Chant – CN / 2006
About 6 minutes – SME Editions – Mauro Ursprung
Augusta Read Thomas, Two Thoughts about the piano – US / 2017
About 5 minutes – Editions Nimbus Music Publishing
Olga Neuwirth, Trurl-Tichy-Tinkle for piano – AT / 2016
About 9 minutes – Editions Ricordi Berlin
Bettina Skrzypczak, Daphnes Lied (Daphne’s Song) – PL / 2002
About 9 minutes – Editions Ricordi Berlin
Francesco Filidei, Berceuse – IT / 2018
About 6 minutes – Editions Ricordi Milano – Annamaria Macchi
Alex Nante, Invocation – AR / 2017
About 8 minutes – Editions Durand Salabert Eschig
Kenneth Hesketh, Three Japanese Miniatures – UK / 2002
About 12 minutes – Editions Schott Music
Gérard Pesson, Vexierbilder II – FR / 2003
About 12 minutes – Editions Lemoine
Matthias Pintscher, On a clear day – DE / 2004
About 8 minutes – Editions Uraufführung
Esteban Benzecry, Toccata Newen – AR / 2005
About 8 minutes – Editions Filarmonica Music Publishing
Recording: Horacio Lavandera, piano – available on Soundcloud: http://bit.ly/2bIFNih
Christian Mason, Just as the Sun is Always – GB / 2006
About 8 minutes – Editions Babel Scores
Recording: Joseph Huston, piano – available on Soundcloud: http://bit.ly/2bZZxxe
Dai Fujikura, Joule – JP / 2009
About 10 minutes – Editions Ricordi London
Recording: Sunwook Kim, piano – available on Youtube: http://bit.ly/2bIGyb4
Alice Ho, Aeon – CAN-CN / 2012
About 8 minutes – Editions CMC (Canadian Music Center)
Stefano Gervasoni, Prés, Book 3 – IT / 2014-15
About 14 minutes – Editions Suvini Zerboni
Recording: Franco Venturini – available on Youtube: http://bit.ly/2bIi3cZ
* audio files: pieces recorded by Busoni Competition in 2011 and performed by Nicolas Hodges.
“Music was born free; and to win freedom is its destiny.”
Ferruccio Busoni, 1907
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